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Home Futures

Explore today’s home through the prism of yesterday’s imagination. Are we living in the way that pioneering architects and designers throughout the 20th century predicted, or has our idea of home proved resistant to real change?

★★★★ Time Out

'Abundant treasures to savour' ★★★★ The Times

A lively, illuminating, sometimes enthralling journey through a century’s-worth of aspiration and fantasy’ The Observer

'Unmissable' City AM

This immersive, vibrant and challenging exhibition truly throws into question how we see and define our constantly evolving social and living situations” Monocle

In partnership with IKEA Museum

‘At IKEA we have always been curious about innovative technology and passionate about life at home. That’s why we are delighted to partner with the Design Museum on this exhibition. Collaborations are a vital part of our learning process and we hope it will inspire you.’ IKEA Museum

Watch

The most important place in the world is changing...

'The problems that people have in advanced societies, that show up in novels, poetry, the therapist's couch are really problems of architecture.' Alain de Botton 👇

The exhibition

What to expect

The ‘home of the future’ has long intrigued designers and popular culture alike. Immerse yourself in a series of dreamlike passages and rooms designed by New York-based architects SO-IL and explore yesterday’s visions of the future – as avant-garde speculations are displayed alongside contemporary objects and new commissions.

Discover more than 200 objects and experiences to trace the key social and technological aspirations that have driven change in the home. Historical notions of the mechanised home and the compact home are displayed alongside contemporary phenomena such as connected devices and the sharing economy.

Please note that the exhibition contains visuals of an adult nature.

Highlights

Radical visions from the 20th century

Whet your appetite with a roundup of the objects and experiences you shouldn't miss, including experiential areas that invite visitors to rest and interact.

The Tawaraya Boxing Ring bed

This bed in the shape of a boxing ring was designed by Masonori Umeda for Memphis, an Italian design and architecture group founded by Ettore Sottsass in 1980. This iconic photograph shows all the founders of Memphis in the Tawaraya Ring. Credit | Masanori Umeda, Tawaraya Boxing Ring, 1981. Credit Studio Azzurro / Courtesy Memphis Srl.

Red lip sofa

Initially a small production company responsible for the most iconic pieces of Italian radical design, Gufram became famous for merging art and design. Studio 65’s Bocca sofa became one of its best-known pieces. The sofa’s red colour is a Gufram exclusive, and its two corners are not perfectly symmetrical, just as human lips would be. Credit | Studio 65, Bocca sofa, 1970. Courtesy of Gufram.

TV screens take over the house

Ugo La Pietra’s Casa Telematica (1983), or the Telematic House, imagined ways in which media and telecommunication will change the homes of the future. This image from early 1980s calls to mind the omnipresence of screens in our contemporary lives. Courtesy of Archivio Ugo La Pietra, Milano. Ugo La Pietra, La Casa Telematica, 1983. Credit | Courtesy of Archivio Ugo La Pietra, Milano.

A universal grid that would allow all humans to live a nomadic life

Supersurface was a speculative proposal for a universal grid that would allow people to live without objects or the need to work, in a state of permanent nomadism. Credit | Superstudio, Supersurface: The Happy Island, 1971. Image: The Museum of Modern Art, New York/Scala, Florence.

A micro-home transformed into 24 rooms

Chang built his Domestic Transformer in the same Hong Kong apartment where he has lived with his parents and three sisters since his childhood. With its sliding walls, the thirty-two-square-metre space can be transformed into twenty-four different rooms.Credit | Gary Chang, Domestic Transformer, 2009. Courtesy of EDGE Design Institute Ltd.

A cactus-shaped coat rack

In 1972, Guido Drocco and Franco Mello reimagined the coat rack in the shape of a cactus. Bringing together decorative use and functionality, the Gufram Cactus proposed that form does not always need to follow function. Credit | Guido Drocco and Franco Mello, Gufram Cactus, 1972. Courtesy of Gufram.

Architecture without walls

Inspired by the relatively new emergence of air-conditioning technologies in the domestic environment, Haus-Rucker-co imagined ways in which architecture could be reduced to bare infrastructure. Environments would no longer be defined by solid walls but light transparent enclosures. Image credit | Cover, Klima (1971), Haus-Rucker-Co, Laurids-Zamp-Pinter. Credit | Haus-Rucker-co, Klima 2, 1971. Courtesy of Drawing Matter.

A proposal for an inflatable, portable office

In 1969, years before laptops allowed for work on the go, Hans Hollein proposed a mobile office in the form of a transparent bubble for a nomadic lifestyle. It forecasted the conditions of work and life in an automated, networked world. Credit | Just Landed. Hans Hollein in his ‘Mobile Office’, 1969. Courtesy of Private Archive Hollein.

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Home Futures

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Tickets £14.50 (+£1.50 voluntary donation) Concession, family and gift tickets available Free to members

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