Coming soon gallery 2
David Adjaye: Making Memory
The form that monuments take and the way that they are used is constantly changing. Monuments are a record of who we are in the world and what we have done. They are deeply ingrained in our psyche as a way of memorialising our triumphs and failures. Through this exhibition, celebrated architect Sir David Adjaye OBE presents a new architectural narrative for the monument where architecture and form are used as storytelling devices.
Discover seven of Adjaye’s landmark structures to explore the design, role and use of contemporary monuments. With projects including the Smithsonian National Museum of African American History and Culture in Washington D.C and UK National Holocaust Memorial and Learning Centre, these monuments and memorials show how Adjaye uses architecture and form to reflect on history, memory and record human lives.
Support the Design Museum as a member to enjoy free entry to all exhibitions, priority access and discounts in the shop, café and restaurant.
Join as a Member Plus to bring a guest.
Beat the queues, book your tickets in advance.
Concession, family and gift tickets available
Free to members
Born in Tanzania to Ghanaian parents David Adjaye’s influences range from contemporary art and music to science and African art forms. After moving to the UK, Adjaye studied architecture at the London South Bank University and the Royal College of Art before setting up his first office in 1994 which was later reformed as Adjaye Associates in 2000. His work creating striking private houses for artists and high-profile clients in London, led to several new public buildings such as the Idea Stores and the Stephen Lawrence Centre.
Over the past few decades Adjaye has established himself as one of the leading architects of his generation. While his portfolio is diverse, ranging from private residential buildings to massive civic institutions, there are several recurring themes in his work. One of those themes relates to monuments and memorials: complex spaces of public memory which can elicit raw emotional responses – from celebration to loss.
NMAAHC Time-Lapse | Video credit, Adjaye Associates
FIND OUT MORE
Background Image | MEMO, Adjaye Associates